Tritonal Releases New Single- “Call Me”
The boys of Tritonal are currently on the road with Seven Lions and Kill The Noise for the “Horizons” Tour, but that’s not stopping them from releasing their latest track. “Call Me” is a pop-infused track that displays the duo’s genre-bending capabilities.
“Call me anything you want as long as you call me” is just one of the lyrics that can be found in this radio-friendly track that sees the group’s constant change in genre and sound. While it is not a career-changing track, it is in line with their previous work leading up to this track.
This chill-vibe track is coming on the heels of their announcement for their new show, Tritonia 200, which will celebrate the 200th episode of their radio show of the same title.
The show will be held in Seattle at Showbox Sodo, and tickets for that can be found here.
Catch Tritonal alongside Seven Lions and Kill The Noise on their “Horizon Tour” by grabbing tickets here.
Check out the lyric video for “Call Me”:
Tritonia’s Long-Running Legacy
Reaching a 200th episode milestone for Tritonia, Tritonal’s flagship radio show, reflected the kind of sustained consistency that had made the duo a fixture in the trance and progressive scenes for years by this point. Weekly radio shows like Tritonia served as a crucial promotional and community-building tool for dance music acts throughout the 2010s, giving fans a steady stream of new music discovery and mix content between album cycles, and celebrating that milestone with a dedicated live event in Seattle underscored just how central the show had become to Tritonal’s overall brand and fanbase.
Balancing Radio-Friendly Pop with Trance Roots
“Call Me” reflected Tritonal’s ongoing effort to bridge their trance and progressive house origins with more accessible, radio-friendly pop songwriting, a direction plenty of dance acts pursued during this stretch of the late 2010s as festival lineups increasingly rewarded crossover appeal. Pairing that stylistic shift with the “Horizon Tour” alongside heavier-hitting acts like Seven Lions and Kill The Noise also showed Tritonal’s willingness to share bills with artists outside their usual genre lane, a booking choice that helped expose their more melodic, vocal-driven sound to bass music audiences who might not have encountered it otherwise.
Tritonal’s Broader Touring Strategy
Co-headlining a package tour like “Horizons” alongside Seven Lions and Kill The Noise, rather than mounting a solo headline run, let Tritonal reach a wider cross-section of festival-going fans than any single act’s audience alone could provide. That kind of multi-artist touring model became increasingly common in dance music during the 2017-2018 period as production costs for large-scale stage shows rose, making shared bills a practical way for mid-tier headline acts to deliver a bigger overall production while splitting costs, and it gave “Call Me” a built-in stage to premiere on night after night throughout the run.
