Tiesto Has Dropped 3 New Singles In 3 Days And They’re All Heaters

Miami Music Week and Ultra Music Festival are two of the most popular events of the year to debut new music. Artists use the festival which is held so early in the season to test out what they have been working on in the off months and gauge crowd reaction. Almost nobody had more new music than Tiesto during UMF, and wow did he not wait at all to start releasing it.

Over the last few days, Tiesto has dropped 3 new singles.

• ‘Dawnbreaker’ with Matisse & Sadko
• ‘Coming Home’ with Mesto
• ‘I Like It Loud’ with John Christian, Marshall Master and The Ultimate MC

Each track seems to be leading up to a collaborative EP of sorts considering the similarities in cover art. It is also interesting that Tiesto has dropped another track named ‘Calling Home’ considering he had a 2004 release off of Parade of Athletes under the same name. Each tune is unique in their own right, but wow they are all pretty damn good. The real standout, in my opinion, is the Matisse & Sadko collaboration which while short has a hook to it that will stay in your head for days.

Tiesto continues to stay on his big room house grind, but his melodies are truly next level. It is great to see him continuing to mentor up and coming talent, and helping deserved artists find the limelight. Check out the singles below.

Photo:
Bennett Sell-Kline for Insomniac Events.

The Mentorship Angle Was A Bigger Deal Than It Looked

Pairing with rising names like Matisse & Sadko and Mesto on the same release run wasn’t just about padding out a triple-single drop, it fit into a broader pattern of Tiesto actively using his platform to boost up-and-coming producers rather than just collaborating with other established headliners. Matisse & Sadko in particular had been building buzz through Tiesto’s Musical Freedom label around this time, and a co-sign on original material during Miami Music Week, arguably the most-watched week of the year for a dance producer, was a genuine career accelerant for artists still working to break through.

Dropping three tracks across three consecutive days rather than saving them for spaced-out singles was also a savvy way to dominate the conversation during a week packed with competing releases from every other major artist in town. It’s the kind of release strategy that only really works for an artist with a catalog and reputation as deep as Tiesto’s, since flooding the market with new material only pays off if fans are already primed to pay attention to everything you put out.