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Dom Dolla

Updated Aug 21, 2026

Dom Dolla makes house music that hits you two ways at once: that hypnotic, rolling groove that keeps a dancefloor locked in, and a pop sensibility that makes even his deepest club cuts feel like proper songs. Born Dominic Matheson in Manila and based out of Melbourne, he’s become one of Australia’s biggest exports in dance music, known for tracks that blend tech-house energy with genuinely catchy hooks.

His breakout came with 2018’s “Take It,” a track that turned into an international smash and put him on radars well outside the usual house music crowd. He followed that up with 2019’s “San Frandisco,” which went platinum and picked up an ARIA Award for Best Dance Release, proof that the momentum from “Take It” was no fluke. Since then he’s built a catalog of tracks that just keep landing, including “Miracle Maker” featuring Clementine Douglas in 2022 and “Eat Your Man” with Nelly Furtado in 2023.

Speaking of 2023, that’s the year his collab with MK, “Rhyme Dust,” went properly viral and scored him another ARIA award. He also picked up his first Grammy nomination that year for his remix of Gorillaz’s “New Gold,” a nod to how far his reach has stretched beyond straight club music into remix work for some genuinely huge names. His collaborator list reads like a who’s who at this point, with names like Kid Cudi, Tove Lo, and longtime studio partner Sonny Fodera all in the mix.

He hasn’t let up on the release schedule either. 2025 brought “Dreamin’,” and 2026 saw “Don’t Worry Baby,” a team-up with electronic veteran Tiga, showing he’s still finding new collaborators to bounce ideas off even years into his career. Between the steady stream of originals, high-profile remixes, and festival sets around the world, Dom Dolla has built himself into one of the most reliable names in house music, the kind of artist whose name on a lineup makes you check your calendar twice.

With awards recognition piling up and a catalog that keeps growing, Dom Dolla shows no signs of slowing down. He’s proof that house music doesn’t have to choose between deep and accessible. It can be both at once, and he’s been proving that for years.

Watch & Listen.

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