Aurory has spent the past year quietly building a world of his own within Melodic House & Techno. Now, as momentum continues to grow, the focus is on what comes next. We sat down with Aurory to talk about his plans for 2026, upcoming releases, evolving influences, and the bigger vision behind the project.
What key lessons or shifts from 2025 are shaping how you’re approaching 2026?
Hi, I’m Filippo, also known as Aurory — really happy to be here. I started this project just about a year ago, so it’s still pretty new, but I’ve learned a lot in a short time. One big lesson from 2025 was that less is more: when you give tracks more space, they feel stronger and more intentional. Looking ahead to 2026, I want to really narrow my sound and focus on fewer, but more effective synths.
When you think about 2026, what excites you most about the projects or ideas you’re planning to explore?
To be honest, I’m still in a discovery phase, where I’m exploring different tools and sounds to really define who I am as an artist. That’s what makes 2026 especially exciting for me — it’s about exploration and truly understanding the direction I want to take. I’m also really looking forward to seeing how my upcoming releases perform. I have several tracks ready that have already been tested and received strong feedback, including my next EP, which focuses on melodies inspired by the Middle Eastern world — a region that’s becoming increasingly influential in shaping new artists and sounds.
Is there a personal or professional goal you’re setting for 2026 that feels especially important to you right now?
As an artist, I have a very clear vision, and I want to move fast without losing focus. My goal is to be more consistent with releases, but also to achieve stronger results in terms of promotion for each track or EP. Too often music is released without enough intention, so I prefer fewer releases with more focus behind them. This approach also reflects my production process: I want to create stronger tracks with a steady output, avoiding long gaps between releases. At the same time, I’m working on clearly defining my sound — something that will shape my artistic identity for the years to come.
How do you hope your project or brand will evolve over the next year compared to where it stands today?
I’m confident that I’m setting up my music — and myself as an artist — in the best possible way. Today, an artist needs to have control over all aspects of their project, not just the music. That’s why I decided to partner with a company that supports me in a 360-degree way. I strongly believe that music is no longer only about sound, but also about everything around it: artist perception, recognizability, visual identity, fashion, and the way you move within the scene. All of these elements are essential to taking the next step. I see next year as a year of consolidation — both sonically and artistically — meaning a true validation of the project, allowing me to push it forward with much more strength. This will translate into several activities that will help me grow very quickly on a professional level. And this is just the beginning.
Are there any collaborations, spaces, or industries you’re particularly interested in exploring in 2026?
Both the Tech and Melodic House worlds really fascinate me, and I’m curious to see where they will take me. I’m also starting several collaborations with well-known artists, which for now remain confidential. What I can say is that I’m very drawn to the Middle Eastern scene and to the positive impact it’s having on the music industry — not only through visually impressive shows, but also through sound and culture. I’m equally interested in the North African scene, which is in strong development, with countries like Morocco leading the way. At the same time, markets such as Turkey and India continue to grow within the genre I work in. And of course, we can’t forget the strong foundations in Brazil and Argentina.
What does “growth” look like for you in the year ahead, creatively, culturally, or commercially?
A project built primarily around commercial goals is not really a project for me, especially in the early stages. At the beginning, the focus should be on growth and long-term sustainability before monetization. I strongly believe in giving to the industry before expecting anything in return, which means producing as much high-quality music as possible and contributing real value through strong tracks before aiming for significant commercial results. This will be my main focus this year, and I’m confident it will lead to meaningful development in the coming years, not only commercially, but creatively as well.
Is there something you’ve been holding back on that 2026 feels like the right time to finally pursue?
Yes, signing with well-established and highly recognized labels is definitely a goal, as they can help elevate my profile and reach a wider audience.
If you could describe your vision for 2026 in one sentence, what would it be?
Focus on doing less, but with more impact — not only in the Western world.
It’s clear Aurory isn’t just thinking about his next track or next show, he’s thinking about legacy, storytelling, and long-term impact. With ambition, clarity, and a sound that continues to evolve, the next chapter looks set to be his most defining yet.
Aurory Online
